Features
West Side Oratory: Judas and the Black Messiah
Daniel Kaluuya may have won an Oscar for Judas and the Black Messiah, but it feels even timelier now than when it came out as protests rage across the country.
Daniel Kaluuya may have won an Oscar for Judas and the Black Messiah, but it feels even timelier now than when it came out as protests rage across the country.
An excerpt from a great new book by Alonso Duralde.
Inclusivity isn't new in romantic drama, even if Bridgerton has made it a big part of the conversation again.
An announcement of new team members at RogerEbert.com.
Tangible warmth is a fundamental component of many of Hamaguchi’s most notable works.
Unavailable for decades and loathed by the band, this 1970 film is finally getting its due—and paints the Fab Four’s final days in poignant, tense tones.
A new ad for Apple says the quiet part out loud: the tech industry hates artists and wants to destroy their livelihood
Why Palpatine, the eventual Emperor of the galaxy in Star Wars, is one of the most devious villains ever.
A book excerpt from contributor Glenn Kenny's new book on the making of Brian De Palma's Scarface.
With The Fall Guy launching this summer’s glut of event movies, we look back at the finest films to get the warm-weather season going.