Great Movies
Features
The Best Films of 2024 So Far
The staff picks for the best films of the first half of 2024.
The staff picks for the best films of the first half of 2024.
The 78-year-old renaissance man has worked with terrific filmmakers across his career. And yet his movies always have his personal stamp, always feeling like they’re emanating from his essence.
Paul Dano has done it all, including voicing an alien spider in this week's Netflix film Spaceman. As he considers the launch of the next phase of his career, he's ready for new challenges, and considering the many roles that art plays in life, including just giving people a break from it.
An essay about how the experiences of teachers were memorably portrayed on film in 2023.
An interview with author Jesse David Fox about his new book, Comedy Book: How Comedy Conquered Culture—and the Magic That Makes It Work.
A feature on the Golden Globe winners and SAG, DGA, and PGA nominees, and what it says about this year's Oscar race.
Our monthly guide highlights eight recent Criterion releases, including their first forays into 4K.
A review of the latest films from Naomi Kawase, Ben Sharrock, and Thomas Vinterberg.
The best films of 2019, as chosen by the staff of RogerEbert.com.
On two of the fall fest season's biggest movies.
The latest on Blu-ray and DVD, including Skyscraper, Ant-Man and the Wasp, Sorry to Bother You, and more.
An essay about revisiting Paul Thomas Anderson's "Punch Drunk Love," as excerpted from the online magazine Bright Wall/Dark Room.
Matt writes: The 2018 Sundance Film Festival may be complete, but our cinematic year is just getting started. Check out our table of contents for the full coverage of festival selections to look for in theaters this year, with reviews from Brian Tallerico, Nick Allen and Tomris Laffly. Also be sure to read the coverage penned by our Ebert Fellows, such as Jomo Fray's interview with Boots Riley, director of this year's smash, "Sorry to Bother You"; Gary Wilkerson Jr.'s touching review of Bo Burnham's "Eighth Grade"; and Brandon Towns' report on why 2018 was the "blackest Sundance ever."
