Great Movies
Features
The Best Films of 2024 So Far
The staff picks for the best films of the first half of 2024.
The staff picks for the best films of the first half of 2024.
On some of the best craft of the year in film, including The Boy and the Heron, The Holdovers, All Dirt Roads Taste of Salt, Poor Things, and many more.
Matt writes: For our final Ebert Club newsletter of 2023, we are presenting the films selected by our writers at RogerEbert.com, including yours truly, as the year's best.
On some of our favorite performances of the last year in film.
Matt writes: Our critic Glenn Kenny is currently at the Venice Film Festival filing reviews for some of the year's most anticipated releases.
Matt writes: I will remember William Friedkin (1935-2023) for many reasons.
A feature on 25 of the best films released so far this year.
The best films of 2022, as chosen by our staff.
Second opinions on two of the biggest films of fest season, a pair of dramas that have already won awards.
On three of the biggest films of fest season this year by Sarah Polley, Sam Mendes, and Florian Zeller.
Matt writes: The Toronto International Film Festival kicked off on September 8th and runs through Sunday, September 18th.
The latest on Blu-ray and streaming includes The Bob's Burgers Movie, Doctor Strange in the Multiverse of Madness, and Criterion editions of Devil in a Blue Dress, Raging Bull, and The Virgin Suicides.
Matt writes: The 2022 Cannes Film Festival is now in full swing through Saturday, May 28th, and RogerEbert.com is there to cover all of the highlights.
The latest on Blu-ray and streaming, including Encanto, Eternals, House of Gucci, and Criterion editions of The Piano and Miller's Crossing.
Glenn Kenny digs deeper into the ethics of a new documentary about Albert Speer, now updated twice, once with a response from the film's director Vanessa Lapa, and also with a reply from Andrew Birkin in response to Vanessa Lapa's letter.
On three films from the NEXT program, including career-best work from Dale Dickey, the latest from Justin Benson & Aaron Moorhead, and a film from the Biennale College program.
A contributor looks back at attending the Venice Film Festival following the death of his wife.
Matt writes: Since last month marked the fortieth anniversary of Robert Redford's Sundance Institute, RogerEbert.com presented a special edition of Thumbnails featuring priceless articles penned by Roger Ebert, including the one he wrote about his first experience at the Institute in July of 1981.
