A look at the work of composer Emile Mosseri, the man behind the scores for The Last Black Man in San Francisco, Homecoming, Kajillionaire, and Minari.
An annotated table of contents including content both new and republished featured on RogerEbert.com in allegiance with the Black Lives Matter movement.
Some of our favorite performances of the year.
The best films of 2019, as chosen by the staff of RogerEbert.com.
The latest on Blu-ray and streaming includes Ma, The Last Black Man in San Francisco, Rocketman, and more.
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.