Features
Shelley Duvall’s Five Best Performances
In honor of the award-winning actor’s death, we celebrate her most indelible roles, which highlight her vulnerability, intensity and sweetness.
In honor of the award-winning actor’s death, we celebrate her most indelible roles, which highlight her vulnerability, intensity and sweetness.
On the latest Blu-ray releases, including a Criterion edition of McCabe & Mrs. Miller.
A dispatch from the New York Film Festival on the latest from Kelly Reichardt, Oliver Laxe, Eloy Enciso Cachafeiro, and Pietro Marcello.
Dashing or menacing, depending on the role, Rutger Hauer was a one-of-a-kind screen presence.
Rest in Peace, Al Nalbandian; Merging of Hollywood and China; Nnedi Okorafor on whitewashing; Decline of the Western; Kristen Stewart on bisexuality.
A tribute to the one and only Leonard Cohen.
The latest on Blu-ray and DVD including two Criterion Altman releases, Imperium, Anthropoid, Bad Moms, and more!
A report on the Museum of the Moving Image's Salute to Warren Beatty.
A celebration of actor Warren Oates in anticipation of an upcoming retrospective at the Film Society of Lincoln Center in NYC.
Sheila writes: Happy New Year! In the wake of "Star Wars: The Force Awakens," I came across a video put together by violinist Taylor Davis, where she plays the famous themes from John Williams' original score, both "light" and "dark." Arranged, orchestrated and performed by Davis, it's a fun and rousing celebration of the possibilities inherent in that music. Have a look!
Roger Ebert's 2003 book, "The Great Movies," is on sale as an e-book for $1.99 through May 24th.
A guide to the latest on Blu-ray and DVD, including "The Tale of the Princess Kaguya," "St. Vincent," and four fantastic Criterion releases.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
A piece by contributor Matt Fagerholm that connects "Prairie Home Companion," "Synecdoche, New York," and "Life Itself" in the sweet by and by.
I love the Dark Knight Trilogy for one simple reason: it gave me the permission that I didn't know I was looking for to dislike all the rest of the Superhero movies. The high point of my dislike came in the highly ambitious "The Avengers" of this past summer. Don't get the wrong idea: as far as superhero movies go, it is one of the best, or at least it is one of the biggest. But something was wrong. It suffers from the same thing that the whole genre has suffered from. First and foremost, we are watching a bunch of costumed adults pretending that they're children in an expensive suburban Daycare. Second, the genre has otherwise exhausted itself to the point of exciting ritual. Third, the movies in the Dark Knight trilogy are solid and smart entertainment (though not without their flaws).