The bios and headshots for our esteemed guests at Ebertfest 2022.
An interview with author Barry Gifford and actor Lili Taylor about their new film, Roy's World: Barry Gifford's Chicago, directed by Rob Christopher.
The latest and greatest on Blu-ray, including Barb and Star Go to Vista Del Mar, Monster Hunter, News of the World, Soul, and Criterion releases of Defending Your Life and Secrets and Lies.
A column about how this unusual awards season recalls a year when the Academy moved away from blockbusters to independent productions.
The first event in the 2020 Ebert Symposium series will explore the future of movies and television through virtual panel on Thursday, October 8th. Other events in the series exploring the evolving media landscape will take place Thursday, October 22nd; and Thursday, November 5th.
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
A recap of the films that played at this year’s Telluride Film Festival, including First Man, Can You Ever Forgive Me?, Boy Erased and more.
A look back at my Telluride Film Festival Journal from August 28th to September 1st, 2008
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the Day4Empathy.
The "Phantom Thread" and "Another Year" star talks about her busy acting schedule, working with Daniel Day-Lewis and Vicky Krieps and more.
A report from Venice on the latest from Martin McDonagh, "Three Billboards Outside Ebbing, Missouri" and the Swinging London documentary "My Generation."
A guide to the latest and greatest on Blu-ray and DVD, including three Criterion releases, The Wall, and Guardians of the Galaxy, Vol. 2.
Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by Rolling Stone Keith Richards to stage a 60th birthday concert for Berry, at which the pioneer of rock and roll would at last be accompanied by a well-rehearsed backup band.” After Berry passed away last weekend, our critic Glenn Kenny penned an insightful obituary that paid tribute to Hackford’s film. “Aside from being a superb portrait of Berry—and of Richards, whose intelligence and clear devotion to music here belies his sometime rap as a wizened five-string-zombie,” wrote Kenny, “[it] is one of the great rock and roll documentaries.” And of Berry, Kenny argued, “For all the great things he achieved, he deserves to be the fifth face on Mount Rushmore.”
Great Movies
