Almost every MCU villain in 2023 was Black. Why? And what does that mean for the MCU going forward?
Richard Linklater’s new Netflix comedy is just the latest illustration of how we idolize and idealize big-screen assassins—even though the characters rarely live up to our image of them as super-cool killers.
With the imminent arrival of Kingdom of the Planet of the Apes, a Far-Flung Correspondent rewatched every Apes film to date from Charlton Heston to Mark Wahlberg, and beyond.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
An appreciation of Angela Bassett's performance in What's Love Got to Do with It?
A book excerpt from the new book by Matt Pais, a collection of interviews with '90s icons.
A tribute to the director of Five Easy Pieces and The King of Marvin Gardens.
The bios and headshots for our esteemed guests at Ebertfest 2022.
An introduction to a week of content by talented women critics and contributors.
A celebration of writer/director Elaine May, who will receive an honorary Oscar this year.
On the latest Blu-ray and streaming releases, including The Protégé, Respect, Candyman, and Jungle Cruise.
Great Movies
